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News 12 explains ‘congestion pricing’ using city scenes

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“Congestion pricing,” which is essentially a fancy name for tolls charged to vehicles entering certain regions, isn’t exactly the most exciting topic to cover — or easiest to explain.

However, reporter Rich Barrabi of News 12 Long Island and Gregory Martin Stevens and Drew Singh teamed up to create a explainer package that combined multiple standups shot around the city with composited augmented reality graphs, video clips, pull quotes and more superimposed over background elements.

The segment was also aired across the News 12 family of channels.

The post News 12 explains ‘congestion pricing’ using city scenes appeared first on NewscastStudio.


How Chicago TV covered the city’s historic mayoral election

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No matter what the results, the 2019 runoff election for the next mayor of Chicago was going to be historic — and local TV stations dedicated significant coverage to what would have likely otherwise been a quieter election night.

The city first voted for mayor in February, but city law dictates that if no single candidate wins more than half the vote, a runoff is held. 

With a record breaking 14 candidates in the running, a runoff was all but guaranteed. The two candidates who emerged with the most votes, and therefore faced off in the runoff, were Toni Preckwinkle and Lori Lightfoot — both black women.

So, while it was clear the city would have its first black female mayor, the two candidates sparred throughout the approximately two months between elections, meaning it was a closely watched race.

WBBM, the market’s CBS O&O, covered the race throughout the day under its ‘Campaign 2019’ as well as a ‘Race for Mayor’ title, which appeared on the station’s video walls, LED anchor desk front and in a special open used for the 10 p.m. newscast. The station also used a ‘History in Chicago’ lower third banner. 

On ABC O&O WLS, the station broke into programming at approximately 8:47 local time with the news that Lori Lightfoot had taken the mayoral race in a ‘landslide.’ The station also lead its 10 p.m. newscast with the story.

In addition to having its anchors start standing in an off-axis shot against the set’s large video wall, the station also used it to showcase photos of the candidates and an ‘eight box’ of team coverage. The anchors then moved to the anchor desk, where the station fed its ‘Vote 2019’ branded background behind them. This background was also used during the cut-ins.

NBC O&O WMAQ fed its ‘Decision 2019’ graphic to its video wall, like it did in February.

WFLD, the Fox O&O, cut into ‘Mental Samurai’ at 8:52 p.m. with news of Lightfoot’s win.

WSNS, the sister station of WMAQ, used a similar look for its coverage — which used ‘Decisión 2019′ branding.

Chicago TV

This column is part of NewscastStudio's regular "Chicago TV" column that covers the latest in Chicago broadcasting.

The post How Chicago TV covered the city’s historic mayoral election appeared first on NewscastStudio.

Dallas station ‘drives home’ the story with AR car

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Dallas station WFAA used a brief augmented reality segment for an anchor introduction to a package about residential speed limits.

Anchor Cynthia Izaguirre introduced reporter Bradley Blackburn’s package in a wide shot of the station’s Victory Park studio, which the station refreshed back in May 2018.

As a video clip taken from a car driving around a residential neighborhood appeared on the set’s video wall, a wireframe and rough 3D model of a car “drove” on the studio floor next to Izaguirre.

When Izaguirre mentioned that speed limits such as 30 mph could be lowered to 25 mph, virtual speed limit signs appeared to “pass by” the car.

The post Dallas station ‘drives home’ the story with AR car appeared first on NewscastStudio.

Oh, the irony — ‘Iconic Facce’ gets one of the best mugshots in the history of TV news

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The mugshot graphic above, from a KPRC Houston newscast, shows what is probably one of the most ironic (and iconic) mugshots ever broadcast on TV news.

The graphic shows an accused bank robber labeled with the name “Iconic Facce (sic)” — though the accused is also known as Jimmy Maurice Lewis, according to the station’s report.

And no, it’s not some kind of strange placeholder text or typo.

Lewis is accused of robbing a bank in Gulfport, Mississippi, but was arrested by Houston police at George Bush Intercontinental Airport after returning from Mexico.

The mugshot shows Lewis’ face wrapped in what appears to be some type of bandage — though it’s not immediately clear why.

The post Oh, the irony — ‘Iconic Facce’ gets one of the best mugshots in the history of TV news appeared first on NewscastStudio.

Buffalo station moving ‘Ellen’ to make way for a locally produced program

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A locally produced program with the somewhat odd title of “Most Buffalo” is reportedly replacing “The Ellen DeGeneres Show” on WGRZ, the Tegna NBC affiliate in Buffalo, New York, reports the Buffalo News.

Insiders tell the newspaper that Kate Welshofer, who joined the station just under a year ago, will be the centerpiece of the new program, with Maria Genero providing weather.

Welshofer has 10 years of experience at regional cable news networks in the area and also has a comedy-focused YouTube channel.

Although station management would not comment on the new program, the station’s own TV grid lists a show with that title starting April 10, 2019.

In the Buffalo market, WIVB currently produces a local 4 p.m. newscast — which the “Most Buffalo” show would go head-to-head with.

The station has also been alerting viewers with a crawl that “Ellen” is moving into the “Dr. Phil” timeslot at 3 p.m. “Dr. Phil,” meanwhile, will replace “Dateline” reruns at 2 p.m.

While WIVB’s 4 p.m. newscast beat “Ellen” in total viewers, the syndicated talker came out on top in the key adult age 25-54 demographic. 

“Ellen,” like most highly rated syndicated programming, is also typically expensive for local stations — and locally-produced programming can often leverage existing resources within the station without any syndication fees and the station gets to sell as much advertising time as it wants during the show.

The Buffalo News notes that “Ellen” has provided a strong lead-in for WGRZ’s 5 p.m. newscast, which presumably it’s hoping will carry over into viewership for “Most Buffalo” once it debuts. 

The post Buffalo station moving ‘Ellen’ to make way for a locally produced program appeared first on NewscastStudio.

NYC’s Univision station debuts state of the art news set

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WXTV, the Univision O&O in the nation’s largest media market, had debuted a new set for its Spanish-language newscasts, which are aired under the name Noticias Univision 41.

The New York City station’s new set features an 24-foot wide floor to ceiling curved video wall array as its primary background, while a dramatically angled presentation pod serves as a standing anchor desk that allows talent to be framed against any of the wraparound set’s backgrounds.

Other elements include a real view into the station’s newsroom to the left as well as an 84-inch wild touchscreen panel. The is also boasts lit columns, frosted and backlit panels and a glass “walkway” in from the video wall, allowing it to double as a standup venue. 

The set 1,800 square foot studio also includes an updated, oversized chroma key wall for enhanced weather map presentation. 

“We are thrilled to unveil our redesigned broadcast studio, which is newly equipped with cutting-edge technology and kick off a new era for Noticias 41. From the largest video wall in New York City to new, green technology that will reduce power consumption and a new wireless Steadicam – our new set is specifically designed to deliver the best content to the most loyal and engaged viewing audience in the Tri-State area,” said Roberto Yañez, president and general manager of Univision New York.

The new set will be home to “Al Despertar” from 5 to 7 a.m. “Edición Digital NY” at 12:30 p.m., “Noticias 41 Univision” at 6 p.m. and “Solo a las 11” at 11 p.m. Monday through Friday.

The new WXTV set was designed by Pulso Design, which also designed the O&O in Miami, WLTV, the shared Univision Weather Hub and other projects. AV Design Services provided the display technology integration for the project. Barbizon Lighting coordinated the lighting with lighting design by Matt Gordon of Eastern Lighting Design.

Set Design

WLTV-TV

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The post NYC’s Univision station debuts state of the art news set appeared first on NewscastStudio.

Kansas City’s KMBC 9 News debuts new set packed with technology

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Hearst’s Kansas City ABC affiliate, KMBC 9 News, has debuted a new set from Devlin Design Group.

Devlin notes KMBC wanted the set to feature a variety of venues for storytelling along with a strong visual connection to the local community, along with the latest in set technology.

The main anchor area is backed by 9 vertically mounted 55-inch displays from Primeview. This sweeping video array can also be used for stand-ups or walk-and-talk segments by talent.

The set also includes a dedicated weather center with five 50 inch monitors for weathercasts and for usage during severe weather coverage. Outside the weather center, a weather desk is flanked by a 2×1 array of 80-inch monitors. A 90-inch display is located between the anchor desk and weather areas.

To the right side of the set, a 6×1 video wall of 55-inch monitors create a multi-purpose area for stand-ups and interviews.

The set also includes a movable 3×1 array of 55-inch monitors that can combine with the nearby video wall to create a 9×1 video wall.

Wide view of the anchor area and multi-purpose area.

The design is wrapped in color changing RGB LED backlit walls with patterns that represent the two rivers that straddle the two states, Missouri and Kansas. Copper accent walls add warmth, Devlin notes, with a “city wall” featuring names of the popular cities in the KC metro.

Previously, KMBC utilized a set design that allowed for a variety of “working” backgrounds including the station’s control room and newsroom.

The station moved to its current broadcasting facility in 2007, leaving downtown Kansas City after 60 years. The former spot, originally the Lyric Theatre, is currently under redevelopment and will house the YMCA of Greater Kansas City.

The post Kansas City’s KMBC 9 News debuts new set packed with technology appeared first on NewscastStudio.

Atlanta station redesigns WX graphics

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WSB, the ABC affiliate in Atlanta, has debuted updated weather graphics that feature both a new look and new storytelling tools.

The station’s previous weather look largely matched the station’s main news graphics package, with glassy 3D elements and the typical boxy column-style layout for the five day board.

The station also added angled wipes with text between weather graphics segments to help identify what’s coming up next.

Now, however, the weather graphics are flatter with gradients instead of the glassu elements and have also become angled. The five day forecast also features new, easier to read icons that are white with gray accents instead of the more illustrative look used before.

The station also now has the ability to highlight certain days that are above or below average with different colors. 

WSB’s ‘Weekend Always in View’ feature sometimes requires the five day forecast to become a seven day one, which uses larger sections for Saturdays and Sundays — a strategy that is also used when the weekend will fit within the five day period. The design also allows forecasters to de-emphasize the weekdays by fading them out slightly and removing the icons. It’s worth noting that the forecast boards better fill out the entire width of a 16:9 canvas.

The current conditions graphic has been redesigned — and can also include the color changing feature. These and other graphics are narrower, with larger margins on the left and right. 

For dayparts, the station can also highlight one of the three segments.

A final update to the new look includes a redesigned ‘live’ bug when remote camera feeds are used.

A similar look is used on the stations’ weather maps — with map titles and legends moved from the center of the screen to the upper right.

To help viewers get familiar with the new weather graphics, WSB produced a short explainer video.

The post Atlanta station redesigns WX graphics appeared first on NewscastStudio.


Tampa station launching OTT newscasts

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WFTS, the Scripps owned ABC affiliate in Tampa, Florida, is launching “ABC Action News Streaming Now” — an OTT-only news service.

Beginning June 3, 2019, the station will launch an expanded “Good Morning Tampa Bay” on the platform at 7 a.m. local time — when the station’s main feed cuts to “Good Morning America.”

The 7 a.m. block of the newscast will only be available on the streaming service, which viewers can watch using the ABC Action News app for mobile phones, tablets and streaming devices including Roku, Amazon Fire TV, Apple TV, Android TV and smart televisions.

Deiah Riley, James Tully, meteorologist Greg Tee and traffic anchor Sarah Phinney will front the newscast.

Later in the summer, July 29, the station will launch rolling coverage between 10 a.m. and 3 p.m. via “ABC Action News On All Day.”

The same day, the station will also start a 3 p.m. newscast exclusively on the streaming platform with Lauren St. Germain and meteorologist Shay Ryan.

After the July launch, the station will offer seven hours of coverage on the streaming platform each weekday.

WFTS uses the name “ABC Action News Now” for its current live streaming offerings — but it does not officially include the word “Streaming” in the name as the new branding does.

Nexstar’s KRON in San Francisco launched a 24 hour streaming service in February, but is charging viewers to use it.

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Comcast Technology Center hosts Philadelphia mayoral debate

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The candidates for mayor in Philadelphia recently debated at the Ralph J. Roberts Forum inside the Comcast Technology Center. The debate marked the first live broadcast from the space, which is pre-wired and connected for such usage.

The theatre is similar to Jazz at Lincoln Center, which CNN and Anderson Cooper used to regularly use for broadcasts, with a sweeping view of Philly via floor-to-ceiling windows behind the stage.

The space’s design mirrors the modern finishes of the Comcast Technology Center while providing a space for town halls, events and rentals.

For the debate, dramatic blue lighting accented the stage with simple lecterns for each candidate.

The debate was produced by sister stations NBC 10, WCAU, and Telemundo 62, WWSI, in partnership with The Philadelphia Inquirer and AARP Pennsylvania.

NBC 10 and Telemundo 62 moved to the Comcast Technology Center in October 2018, investing in an IP infrastructure along with the latest in storytelling equipment.

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Grand Rapids station unveils new set

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Nexstar’s WOOD TV8 in Grand Rapids, Michigan, took the wraps off a new set this week.

The new set is inspired by the look other Nexstar stations have rolled out but has its own unique features added by the local design team at the station.

In one corner of the set is the primary anchor background, which features two intersecting video walls at a 90-degree angle, created from 176 individual seamless LED panels.

Set Design

WOOD

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The area also features one of Nexstar’s signature looks — a freestanding video ribbon mounted at approximately knee wall height.

WOOD can wheel its anchor desk in front of the corner to create a traditional anchor setup, but a riser tucked in the corner below the video walls and ribbon also allows the area to double as a multipurpose or interview area.

The station has already used the sofa setup for its morning newscasts.

Framing this area are a pair of sleek internally lit columns.

On either side of the corner video wall, meanwhile, is an asymmetrical look with a 2×2 video array in a gray frame camera right and frosted glass panel in front of a wavy textural wall on the other.

This wall showcases both the current WOOD logo — as well as a collage of smaller designs from the station’s past.

To the left of this is another gray frame structure with a triptych of vertically mounted panels that can be used for standups or other configurations.

Some elements from the old set were kept — including the station’s familiar 4×6 video wall that now sits camera right of the main anchor area and is capped off by a sculptural wall with dramatic curved elements.

Combined with the new video panels, the studio is flexible enough to be used for not only the station’s newscasts, but also the station’s “eightWest,” “Maranda Where You Live,” “Sports Overtime,” “To The Point” and community partner productions. 

The station’s old anchor desk was also kept — but updated with a seamless LED front instead of the four side-by-side panels installed there previously.

Like its sister stations, many of the studio’s backlit elements are color changing — with blue used as the “default” setting, red for breaking news and gold for mornings. 

In addition to the more visible changes, the studio was also converted to LED lighting units, which draw less power and emit less heat, making the space more energy efficient. 

The post Grand Rapids station unveils new set appeared first on NewscastStudio.

Anchorage station moves back in after earthquake damage repaired

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After its newsroom and studio were heavily damaged by an earthquake in November, KTVA is back home.

The earthquake, which knocked the Anchorage, Alaska, station off the air, also heavily damaged the newsroom, studio and other parts of the building, which the station moved into in 2013.

The station and its staff posted images to social media showing fallen ceiling tiles and exposed wiring and ductwork.

In addition, the building’s sprinkler system was also comprised, which added water damage to the litany of issues.

The quake also damaged one camera, multiple video monitors, flooring and glass panels as well as off-camera workspaces.

The station was able to get back to broadcasting fairly soon after the earthquake and continued operating from the building for about two weeks after.

However, at that point station management decided to move operations to a temporary space so renovations could be done.

Crews saved as much of the set, newsroom furniture and equipment as possible and put it in storage. 

Parts that were unsalvageable were discarded and the space was essentially stripped down, according to the station.

That work took just under six months.

In 2018, about six months before the earthquake, the station installed a seamless LED video wall in the studio, which overlooks the newsroom and uses the workspace as a backdrop in some shots.

The post Anchorage station moves back in after earthquake damage repaired appeared first on NewscastStudio.

Watch this Denver reporter add ‘time travel’ twist to standup

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His name sounds like that of a famous poet — and Denver reporter Dillon Thomas shot a standup that has a certain sense of visual poetry. 

Thomas, a reporter at KCNC, turned an elevator into “time machine” of sorts in a package he filed for the station. 

Thomas was covering a new interactive performance and game called “The Last Defender” that opened at the Denver Center for the Performing Arts.

Billed as an interactive theatre experience, the story inserts the audience into the action as a team that in the 1980s trying to prevent World War III.

In his standup, Thomas starts his standup just like hundreds of others — standing in a space. 

However, he then enters an elevator and, thanks to a simple stop action photography trick, emerges an instant later dressed in an orange jumpsuit that’s part of the “costume” audience members wear during the experience.

Thomas’ Twitter bio reads “I am my photog.”

The post Watch this Denver reporter add ‘time travel’ twist to standup appeared first on NewscastStudio.

NYC ABC O&O promoting Sam Champion’s debut

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Sam Champion, who is returning to the Disney-ABC family full time by taking over as morning meteorologist on WABC in New York City, is appearing in promos on the station.

The spot mixes imagery of Champion greeting fans as well as on set with the morning anchor team.


Champion debuts on WABC June 3, 2019.

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D.C. station ‘owns’ competitor (and timeslot) in news promo

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WTTG, the Fox O&O affiliate in Washington, D.C., is using the launch of its 4 p.m. newscast to take a jab at a competitor.

Fox 5 DC will add a 4 p.m. newscast on July 8.

The newscast will compete against news on both NBC O&O WRC and ABC affiliate WJLA.

In the hard hitting promo, the line “4 gets owned by Fox 5” appears on the screen over dramatic aerial shots of the city.

The double entendre here, of course, is that “4” is a reference to both WRC and the 4 p.m. time. The local CBS affiliate airs “Dr. Phil” instead of news.

Meanwhile, a hard-hitting musical bed accompanies the spot — so dramatic that it’s sort of surprising landmarks don’t get death rayed by alien spacecraft. 

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Inside Sinclair’s latest ‘alarmist’ branding effort, ‘Code Red Day’

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WICS meteorologist Joe Crain recently got in hot water for an on air criticism of Sinclair Broadcast Group’s “Code Red Day” branding for severe weather.

The Springfield, Illinois forecaster, who has been with the station since 2004, came to national attention for calling out the company’s “initiative.”  

“So we want you to know it’s not us,” Crain said. “This is a corporate initiative, the ‘Code Red’ alert … behind the scenes, many of us have tried to dissuade it for the last few months, to try something else that’s less controversial to the viewers.”

Crain also pointed out that “Code Red” is, unlike color coding used by the National Weather Service, very broad — and suggests it’s simply a marketing gimmick to stir up fear. 

Viewers also have questioned the tactic on social media at Sinclair stations across the country.

“When you hear ‘Code Red,’ you think … as they say, ‘the feces is about to hit the fan.’ So with that being said, we understand your concerns, and we want you to know that we take them very seriously,” he said.

He also pointed out that the Code Red designation also doesn’t take into account that “not all storms are equal.”

“On the other hand, ‘Code Red’ was created by, likely, a journalism school graduate,” Crain said.

He did add, “That being said, I’m a journalism school graduate.”

So, what is a “Code Red Day”?

If one searches that exact question, one of the top results is from Sinclair owned KGBT in Rio Grande Valley, Texas.

The station’s page reads “A ‘Code Red’ Day, when issued by our Stormtracker 4 Weather Team, means that a significant weather event is expected to hit or affect the Rio Grande Valley.”

What KGBT’s explanation leaves out is that Sinclair Broadcast Group has adopted the Code Red Day branding across nearly all of its 193 stations.

“When a ‘Code Red’ Day is issued, our team wants to be sure that you are aware of the impending danger that is heading toward the Valley.”

In case you forgot, Sinclair Broadcast Group is known for its “must run” orders that come down from corporate.

Sinclair stations have to air right leaning commentaries, programming and, in another incident that gained national attention, a so called “hostage” promo where local anchors read a nearly identical script espousing factual reporting. 

According to reports, the decision on whether or call a particular day “Code Red” or not isn’t always left in the hands of the weather team — sometimes it’s made by station management.

In addition to its “must run” orders, this isn’t the first time Sinclair has come under fire for being alarmist — the company also created the “Terrorism Alert Desk,” at its headquarters with segments appearing on its stations across the country.

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See some of the makeshift quake coverage in Cleveland

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Many weather centers in California TV stations are decked out with seismographs, graphics and more to cover the earthquakes. In Cleveland — probably not so much.

So, when a small earthquake hit the Ohio city metropolitan area Monday, June 10, 2019, TV stations were using some “quick and dirty” ways to get information out to viewers.

CBS affiliate WOIO — like many other stations — were pulling up maps from the U.S. Geological Survey’s website to show where seismic activities were detected.

The station also had a camera set up at a desk in the newsroom with a reporter pulling up social media and research in realtime.

WEWS was able to get its weather software to show earthquake information, including the presumed epicenter and geologic boundaries. WEWS is the ABC affiliate. 

However, other parts of its coverage also included USGS maps shown on a web browser.

WKYC, the NBC affiliate, also relied on this technique. 

Although these approaches were obviously not the slickest — it was still impressive to see the stations pull together resources and cover the story as it unfolded live. 

The stations also played a key role in ensuring viewers knew how to respond since many probably aren’t as familiar with earthquake safety. 

Also, in fairness, the quake was also “only” a 4.0 — relatively minor — and caused little reported damage or injuries, so it also wasn’t quite as deserving of big coverage as more major quakes.

That said, although areas along the west coast’s “ring of fire” are more susceptible to earthquakes, history shows that heavy quakes have hit areas of the country ranging from Massachusetts to Missouri to Kansas — and there are hundreds of tiny earthquakes every day at spots around the world.

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