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Lexington station marks last day on old set

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WTVQ, the ABC affiliate in Lexington, Kentucky, is marking the last day on its old set.

The station’s “Good Day KY” team took the opportunity to shoot some looping “bounce” videos of themselves with power tools and swinging sledgehammers.

Meanwhile, Friday, Feb. 8, 2019, will mark the last day the station uses its old studio set, which features a foot-ball-shaped anchor desk, duratrans backgrounds and working weather center.

According to Friday’s “Good Day KY” broadcast, the station will temporarily relocate to the newsroom while the new set is installed.

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CBSN New York hits 1 million streams

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CBSN New York, the localized version of CBS’s national streaming news service CBSN, has hit the 1 million stream mark after less than two months of operation.

The network, like CBSN, can be viewed on the CBS website, Apple TV, Amazon Fire, Roku and iOS and Android devices.

In addition to carrying simulcasts of WCBS newscasts, the service also airs its own exclusive local newscasts at 7 a.m., 1 p.m. and 7 p.m. from a loft like set.

CBSN New York is the first of four planned local streaming services — with the other three slated for launch later in 2019.

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Despite nine video walls showing it’s raining, Florida forecaster ‘isn’t sure’

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WPEC anchor Matt Lincoln had some fun with the station’s new set and its bounty of video walls.

In a video Lincoln tweeted, he pans his camera around the station’s new set, of which 9 monitor panels and video walls are all showing a radar loop.

He ends up in the weather center where he asks meteorologist Lauren Olesky, who is looking at her computer setup, “is it raining?”

Her reply — “uh, I think so.” 

It’s worth noting it’s not clear if Olesky was in on the joke or was simply caught off guard.

The clip resembled the popular “video on video” and “walk and wander” style shots that have become popular in TV news, but this clip was not part of a newscast. Some of the graphics shown, such as the triptych of vertically mounted panels, were oddly segmented or stretched.

The post Despite nine video walls showing it’s raining, Florida forecaster ‘isn’t sure’ appeared first on NewscastStudio.

Explore the set design of Cox Media’s TV stations

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How Chicago stations (and networks) covered suburban shooting

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The shooting at a workplace outside of Chicago was the top story on both local newscasts and national ones — although the big three evening newscasts were all pre-empted locally for extended coverage of the investigate and aftermath.

WLS, the ABC O&O, lead with the story on all of its afternoon and evening newscasts, as well as cutting into programming when news of the shooting first came out.

By the late newscast at 10 p.m., the station had more time to compile details and presented team coverage under the banner “Breaking News: Deadly Workplace Shooting.”

Anchors Alan Krashesky and Judy Hsu, filling in for Cheryl Burton, started the newscast standing in front of the station’s main video wall with the camera framing them off-axis. The background behind them featured a rather blurry image of the scene of the incident along with generic emergency light effects.

For the rest of the country, the story lead ‘ABC World News Tonight’ which, like ‘CBS Evening News’ and ‘NBC Nightly News’ was not shown in the Chicago market due to extended local news coverage.

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Iconic KHOU letters find new home ‘above’ it all

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For decades, drivers zipping along the Allen Parkway that serves as a major east-west thoroughfare in Houston were able to spot the prominent red “KHOU” call letters mounted on the side of a tower that climbed up one side of the station’s building. 

However, since the building was heavily damaged by flooding from Hurricane Harvey and KHOU made the decision to sell the building — which has since been demolished — the letters have disappeared from the skyline. 

Now, despite being miles from their original location, the letters have found a second life at the station’s new studios — and are still in the “sky” so to speak.

The bold red letters, which were originally mounted on the side of a vertical tower reading K-H-O-U from top to bottom, are now mounted face down from the ceiling above the station’s newsroom cafe and break area.

The “K” is suspended from the open ceiling, while the “H” is partially interlocked with a drywall ceiling that diagonally intersects the area, which also features a coffee bar, microwaves, refrigerator and an island for eating.

Overall, the new home for the letters is essentially a ceiling art installation that hovers over what is likely to become a popular area in the building — letting the staffers of today and tomorrow remember the station’s heritage.

The weathered letters were removed from the station’s old tower and sent to Houston Sign Company for refurbishing.

In addition to undergoing repairs to the surface, the neon lighting was replaced with LED that mimics the look of neon tubes, keeping the classic, retro look while also being more energy efficient.

It’s worth noting the “11” that was near the base of the tower was not installed in the break area.

The post Iconic KHOU letters find new home ‘above’ it all appeared first on NewscastStudio.

Houston Station, displaced by Harvey, finally gets new home

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KHOU, the Tegna owned CBS affiliate in Houston finally has a new home.

The station, who was forced to evacuate its studio and then entire building thanks to floodwaters brought by Hurricane Harvey, has gone live from its new home in the Galleria neighborhood of the city.

The new 43,000 square foot broadcast facility is located inside a mid-rise office building with studios for its newscasts and “Great Day Houston” on one floor and a sprawling, windowed newsroom below.

The station’s old set was heavily damaged by flooding and it eventually would bring out parts of an old set at its temporary home at Houston Public Media — before building a more “permanent” temporary home while its new studios and offices were being built over an 18-month span.

The station’s new main news studio retains the grid backlit RGBA backgrounds and faux brick of the former sets but adds upgraded seamless LED video panels, including a large curved array behind the anchor desk. Some of the monitors from the temporary set at Houston Public Media have also been relocated to the new facility.

Set Design

KHOU

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The set includes multiple standup locations and a curved desk for weather that can also be used for general newscast segments, such as breaking news coverage and “That’s So Houston.” The chroma key wall used primarily for weather is tucked behind the main set.

The main news set is located in the Susan A. McEldoon Studios, named in honor of president and general manager Susan McEldoon, with set design by Joe Lamberta and fabrication by Innovative Environments.

The news studio also includes a flexible interview area with backlit walls and multiple monitors along with a social media area featuring desks with computers for producers.

“Great Day Houston,” the station’s lifestyle show, has a separate, dedicated studio, but has not moved into the space yet.

In addition, a large round area in the middle of the newsroom on the floor below is set up as a flexible studio space.

The new facility, which officially opened with its first broadcast on Sunday, Feb. 17, was made possible with the help of vendors and companies including Bram Flynn Associates, BeckTV, Bitcentral, Clear-Com, Comcast Media Center, Crispin Corporation, Encompass Digital Media, Evertz Microsystems, Harmonic Inc., Heartland Video Systems, Gensler, Imagine Communications, Joe Lamberta Design, Logitek, Sony, Turner Construction, TVU, Grass Valley along with support from fellow TEGNA stations.

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Trying to be romantic, Denver anchor breaks video wall

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While attempting to dance to some romantic background music on the Valentine’s Day edition of “Everyday,” Denver host Chris Parente bumped his stool which, in turn, broke a panel in the station’s video wall.

Parente was co-hosting alongside traffic reporter Sam Boik when the incident happened.

“You legit broke it,” said Boik when she saw the damage.

Later, a crew member helpfully came out to “hide” the damage from view.

Unfortunately for Parente, the video wall not only serves as background for the host segments, it’s also used for weather segments on the KDVR lifestyle show — so forecaster Greg Dutra had to present his forecast with the broken pane.

Dutra proceeded with his forecast, poking fun at Parente’s gaffe, which obscured Monday’s temperature on the “planning forecast.” 

Fortunately for Parente, the rest of his Valentine’s Day weekend plans appear to have gone off better — he announced he got engaged on Tuesday morning while anchoring on KDVR’s sister station KWGN.

KWGN and “Everyday” share studio space.

Meanwhile, it appears of the station was able to get the panel repaired or replaced as of Feb. 18.

H/T FTVLive and multiple tipsters

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Chicago stations cut in for Jussie Smollett press conference

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Chicago TV stations all carried the press conference about the latest developments in the Jussie Smollett case live Thursday, Feb. 21, 2019.

WLS, the ABC O&O, opted to preempt the beginning of “Live with Kelly and Ryan” and hit the air at 9 a.m. on the dot with preview and background coverage for approximately 11 minutes before the press conference began with a statement from Chicago Police Superintendent Eddie Johnson.

After the conference concluded, ABC 7 wrapped up with a brief interview with its legal analyst, attorney Gil Soffer in studio. The station then returned to normal programming.

The story also lead the station’s 11 a.m. news.

NBC O&O WMAQ broke in “Today Third Hour” at about 9:11 a.m. with a brief intro from anchors Zoraida Sambolin and Alex Maragos who tossed, after a bit of confusion, to the press conference that had just started. After a brief wrapup at the end, the station went back to network programming.

WBBM, the market’s CBS O&O broke into “Let’s Make a Deal” just as Wayne Brady was warning about a “zonk” — and quickly tossed the press conference as well. 

The station then did a rather awkward ad-libbed wrapup before going back to regular programming.

Later, at 11 a.m., the station led its midday newscast with the story, still using the red breaking news graphics and using its secondary video wall to showcase two reporters.

WFLD, the Fox O&O, was already in the middle of “Good Day Chicago” — which airs until 10 a.m. — so it just incorporated coverage of the press conference into the newscast under its breaking news banner. 

The post Chicago stations cut in for Jussie Smollett press conference appeared first on NewscastStudio.

Houston station debuts new chopper

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KTRK, the ABC O&O in Houston, Texas, has unveiled what it calls an “all new” news chopper.

Branded as SkyEye, a brief promotional video and story released by the station spotlights that the new chopper is “more than just a new paint job,” though the station did not respond to requests for comment for more details.

The video claims the new chopper is lighter and faster and equipped with a “high tech” camera for a “clearer, closer view,” though it does not offer specifics. 

Back in 2008, KTRK’s helicopter crashed, killing pilot John Downhower and photographer Dave Garrett.

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ABC 7 Chicago uses rings, casual narration in morning promo

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WLS, the Chicago ABC O&O, is airing a promo that combines elements from its parent network’s branding package along with a bit of a casual flair.

The new spot focuses on the station’s 4:30 to 7 a.m. news block and kicks off with “Are you ready? Ready to start a new day?”

A combination of stock footage of people in morning routines are combined with station talent shots — while the female announcer assures viewers that “Tanja, Terrell, Tracy and Roz have gotcha covered.”

The use of the casual “gotcha” is an interesting parallel to promos the market’s NBC O&O has used in not one, but two promos.

The line, by the way, is referring to morning co-anchors Tanja Babich and Terrell Brown, along with meteorologist Tracy Butler and traffic anchor Roz Varon.

From a graphical standpoint, the spot also uses a mostly blue and gold color scheme that has some similarities to ABC’s “Aperture” branding motion graphics package.

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Fox 32 Chicago airs intense election night open

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Fox 32 in Chicago featured an election night newscast open that seemed more like an action movie trailer that exaggerated the tired references to the “fate of the city” depends on this election lines that have been used since the crowded race began.

WFLD, a Fox O&O station, aired an intense, 40 second open to its 9 p.m. newscast Tuesday, Feb. 26, 2019 that included fast paced music and an over-the-top voiceover from its normal announcer — that ended with a “Starts now!” headline. 

Adding to the drama were the bold, 3D headlines added along with the heavily composited backgrounds with “pop dots” texture and references to the iconic city flag and its distinct six pointed stars. 

WFLD’s 9 p.m. newscast opened with a wide shot of the anchor area, with the video walls showing prominent ‘Elections 2019’ branding. Directly behind the anchors the line ‘You Decide’ ran in a small animated ribbon.

The ‘You Decide’ branding popped up in other graphics throughout the evening as well. The ‘You Decide’ branding is, notably, a holdover from Fox’s cable channel that previously used the slogan ‘We report. You decide.’ The channel no longer uses that slogan or its ‘Fair & Balanced’ tagline — instead branding its election coverage under ‘America’s Election Headquarters.’

For those of you not from the Windy City, here’s a quick frame-up of the mayoral race and why it’s such a big deal this year.

As most people know, Chicago and Illinois has the unfortunate reputation of corruption and cronyism in politics. In a surprise move, current Mayor Rahm Emmanuel, who was previously President Barack Obama’s chief of staff, announced he would not seek re-election after two terms as head of the nation’s third largest city.

That, in turn, triggered a crowded race of contenders for the position — a number that was somewhat reduced to a final 14 still in the race as of election night Tuesday, Feb. 26, 2019.

Chicago’s bylaws state, however, that a mayoral candidate must receive at least 50 percent of the vote to win — otherwise the top two finishers head to runoff in April. 

With the sheer number of candidates making it almost mathematically impossible for anyone to gain 50 percent of the vote, Tuesday’s elections were widely expected to head to a runoff — and they did.

What was determined Tuesday night, which the local news covered, was that Chicago’s next mayor will be a black woman — a first for the city — as Toni Preckwinkle squares off against Lori Lightfoot in April in what will likely be a closely watched and much hyped “second” election night for Chicago TV to cover.

In addition to mayor, other local offices were up for vote Tuesday.

The post Fox 32 Chicago airs intense election night open appeared first on NewscastStudio.

Dallas station spells reporter’s name wrong and the result is very — adult

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KTVT in Dallas spelled CBS News correspondent Steve Portnoy’s name wrong in a lower third — and the results were very unfortunate.


Portnoy was appearing on the O&O station from Vietnam as part of the North Korea summit coverage.

The lower third graphic under him has his last name spelled “Porntoy” — not “Portnoy.” In other words, the graphic “renamed” him what would be pronounced as “porn toy.”


The error appeared during the station’s 4:30 a.m. newscast Thursday, Feb. 28, 2019.

Another viewer, meanwhile, caught the same error on KTVQ in Montana.


The post Dallas station spells reporter’s name wrong and the result is very — adult appeared first on NewscastStudio.

Houston station offers up explainers on Amazon Air crash

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KHOU, the Tegna owned CBS affiliate in Houston, offered two explainer segments about the Amazon Air plane crash, which was scheduled to land in the city. 

The first of these segments featured both a 2D and 3D recreation of the plane — complete with trademark Amazon tail — combined with flat and 3D Google Maps imagery showing the plane’s missed approach into George Bush Intercontinental Airport.

In addition, key details such as speed and altitude were also shown on screen.

In addition, the station also offered an explainer video about the not-so-“black boxes” on board aircraft, which are painted a bright color to help them stand out from their surroundings to make recovery easier. 

Interestingly, the explainer video goes out of its way to point out that the cockpit voice recorder and flight data recorder are a color known as “international orange” but shows the boxes in two different shades — one more orange and the other more red.

The video does not explain that shade widely known as “international orange” actually has two different standards — with one shade commonly linked to the aerospace industry and the redder shade typically used by military contractors and in the engineering industry.

Incidentally, a third shade of “international orange” is used on the Golden Gate Bridge — namely to give it high visibility and prevent ships from hitting it. 

The exact cause of the crash, which was a cargo flight and killed all three crew on board, and details of the flight’s final moments are still unknown. The flight was officially known as Atlas Air Flight 3591, but operated under the “Amazon Air” brand — and the aircraft involved, N1217A, featured Amazon-themed livery.

Amazon Air is a “branded” airline operated by the ecommerce giant but operated by three separate contractors. It was previously known as Amazon Prime Air, before that name was handed over to the company’s yet-to-be-activated drone delivery service efforts. 

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Dallas NBC changes up morning background

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KXAS, the DallasFt. Worth NBC O&O has changed out the backgrounds for its morning newscasts with a stylized cityscape in favor of its normal practice of feeding live views from the region to it.

The new look features a photograph of the city that has been colorized with blues, pinks and golds along with shadows and lines overlays drawn from the shapes in the NBC peacock.

The yellow lines in the background are animated.

Along the lower part of the graphic is a row of text that repeats “NBC 5” and the station’s slogan “Texas Connects Us” separated by small NBC peacocks.

Coordinating with this look are gold uplights and pink downlighting on the faux stacked stone columns on either side of the anchor desk, as well as similar backlit gradients in the set’s color changing wall panels. These effects were in place before the station started using the graphic.

As of Monday, March 4, 2019, however, KXAS has not switched to this type of background for its other newscasts. 

That station, which moved to a new facility in 2013 and introduced its current set at that time, updated the video wall behind the anchor desk to a seamless model in May 2018 along with other tweaks to the set.

Dallas’ NBC 5’s sister station WMAQ in Chicago experimented with still, stylized cityscapes on its video array last summer — before reverting back to using video feeds. The station updated its set to seamless video walls over several months stretching from 2018 to 2019.

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CBS Chicago added, tinkers with ‘nonstop news’ block

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Chicago’s CBS O&O WBBM added a 10-minute “Nonstop News” block to its morning newscast back on Jan. 28, 2019 — and continues to tinker with the format over a month later.

The segment, which is really the entire final block of the “CBS 2 Morning News,” features top stories, weather, traffic and lifestyle pieces and is meant as an “out the door” type roundup. 

The first day of the segment, which starts right after a commercial break at approximately 6:50 a.m. which then, in turn, segues to “CBS This Morning” without a break, was a day that really let the format shine.

Jan. 28 was one of the many frigid days the Chicago area had been hit with — and Marissa Bailey and Erin Kennedy started the segment off, after a stinger with a synthesized sound effect, standing in the middle of the station’s studio.

By using this wide angle, the anchor desk and two video walls surrounding it were visible, with one displaying a “Weather Watch” graphic and the other footage from the station’s weather vehicle, Mobile Weather Lab.

Before tossing to a live field report, the “Weather Watch” stinger ran — using the sound effect.

Returning from the live shot, the station cut to meteorologist Megan Glaros and traffic anchor Derrick Young standing with the vertical monitor in the station’s weather center between them, before the camera panned left for Glaros to deliver her update using the larger, landscape monitor in the area. Young followed that with his traffic report.

Over the following weeks, the segment’s branded wipe would lose the sound effect in exchange for a more generic “swoosh” sound. 

On days without severe weather, the segment typically opens with the video walls displaying graphics that match the stinger — with one sporting the “Nonstop News” logotype and the other only showing the fast-past animated background.

The left video wall, meanwhile, can be used to toss to live shots combined with a camera move that goes from the extreme wide shot to tighter framing.

The station can also do the segment with only one anchor. In addition, anchors can return to the desk — with the one sitting in the camera left position shot with the left hand video wall as an oversized OTS element. Alternatively, a standard “Nonstop News” OTS is available with a line of text that can be updated on a per-story basis. 

Ultimately, the segment ends with the anchors, meteorologist and traffic anchor at the anchor desk before cutting to a bump shot of the studio or live video feed before the network takes over at 7 a.m.

Other Chicago stations use a similar approach in wrapping their morning newscasts — WLS, the ABC O&O has used the “Morning 7” branding for some time now, though it disappeared for a brief period in February — and is sometimes skipped altogether due to breaking news, feel good segments or special interviews. 

The market’s NBC O&O affiliate, WMAQ, typically uses a “5 to Know” segment near the end of its morning newscast.

In both of these cases, however, it’s worth noting the number used is in reference to the number of stories covered — not the time allotted for them. The numbers, of course, come from the station’s channel number branding.

WBBM’s approach is similar to the “10 at 10” or “11 at 11” concept that swept through local news — with the late newscasts starting out with 10 or 11 minutes, respectively, of commercial free news, sports and a “first weather” segment.

The concept, which has fallen out of popularity, was typically restricted to late newscasts because, at least on the big three networks, they run an extra five minutes beyond the normal 30 minutes.

The concept gained popularity by stations on Channel 10 or 11 — but was also used at stations with different channel designations. Variations also popped up  under the “9 at 9” for 9 p.m. newscasts. Some stations even borrowed another number from its channel designation for the concept — such as 7 minutes of news for Channel 17. 

While the concept is still used at some stations, it’s not as common as it was or, if it’s used, it may not be branded as such. 

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L.A. station celebrates 50 years of ‘Eyewitness News’

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KABC in Los Angeles is celebrating the 50th anniversary of its Eyewitness News franchise and concept — and took a retrospective look back at its five decades bringing news to the L.A. market. 

The spot emphasizes that the station has “not only told you what is happening, we have put you right in the middle of it,” which is exactly the idea behind the “Eyewitness News” concept that the station first introduced in 1969.

Interestingly, one of the on-camera personalities emphasizes that the station offers “original reporting” — a tagline that CBS News and many CBS O&Os use.

The “Eyewitness News” name first surfaced in 1959 at KYW in Cleveland, now WKYC, which was owned by Westinghouse Broadcasting at the time. 

In 1965, the KYW call letters were transferred to Westinghouse’s station in Philadelphia, and exec Al Primo and some of his management team moved there and solidified Eyewitness News as a format — emphasizing on-the-scenes reporting rather than simply an anchor reading headlines in a studio.

The concept was credited for KYW’s ratings growth and paved the way for news director Mel Kampmann to create the “Action News” format at competitor WFIL, which is now ABC O&O WPVI, which emphasized a tighter format and faster pacing. 

In 1968, Primo left KYW and took the Eyewitness News concept to WABC in New York City, which eventually lead to its use at other ABC O&Os across the country, including KABC and WLS in Chicago.

Both the “Eyewitness News” and “Action News” branding continues to be used at stations across the country with a variety of affiliations — though not all follow the associated formatting concepts originated by Primo and Kampmann.

Notably, WKYC dropped the “Eyewitness News” branding 1965, though competitor WEWS would later adopt the name in the 70s, but it since switched to the “On Your Side” branding.

WLS in Chicago, which also adopted the “Eyewitness News” name in 1969, dropped the name in 1996 before bringing it back in 2013.

These stations, as well as other ABC O&Os, also brand under the “ABC 7” name and feature near identical “Circle 7logo designs.

However, it’s worth noting that KABC has the domain name abc7.com and Twitter handle @abc7 and uses the #ABC7Eyewitness” hashtag — while flagship WABC, despite being a larger market, uses ABC7ny.com and #ABC7NY. WMAQ, meanwhile, uses ABC7Chicago.com and #ABC7Chicago.

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Fox Carolina emphasizes it’s ‘the local station’

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WHNS, which brands on air as Fox Carolina, is airing a news promo that emphasizes its extended morning news block as being local focused.

The spot, which ends with the on-screen tagline “The Local Station” appearing prominently on screen, emphasizes the station’s local news, sports, weather and traffic offerings — especially after other local affiliates switch to national feeds at 7 a.m. local time. 

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A look back at this Providence station’s 1962 election set

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WPRI, the CBS affiliate in Providence, Rhode Island, celebrated its 64th birthday March 27, 2019.

Ted Nesi, a politics and economy reporter at the station, tweeted a vintage photo of the station’s set for its 1962 election — when the station was known as WPRO.

The set features a ring-shaped anchor desk and temporary walls with candidate photos and manual embedded counters beneath. 

A local attorney, Brian Gallogly, notes that the set was built at the city’s Sheraton hotel, which explains the stone railing and chandelier visible in the photo.

In the early decades of TV broadcasting it wasn’t uncommon for stations to use local hotels, ballrooms or theaters as studios — either permanent or temporary. These types of buildings often had larger, open spaces that could be rented or converted into broadcasting spaces relatively easily. 

In fact, when “Today” debuted in 1952, it used space that doubled as as the RCA Exhibition Hall in New York City and would eventually, in 1962, start sharing space with a Florida-themed store and exhibit space in Rockefeller Center. 

WLS in Chicago still occupies a building that, in previous lives, was a vaudeville theatre, cinema and retail space before becoming home to the experimental TV station that would eventually become the ABC O&O. 

WPRO was an ABC affiliate from 1977 to 1995 and served as a secondary affiliate for the network from 1956 to 1963, the latter of which would have been during the time the photo was taken. 

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CBS Chicago covers up sweeping city views for ‘final debate’

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WBBM, the CBS O&O in Chicago, hosted the final televised debate for the Chicago mayoral runoff election from a space that boasted sweeping views of the city — but had to cover up most of it.

The station broadcast the debate from the Morningstar Auditorium, which sits at the top of the skyscraper CBS 2 occupies in downtown Chicago.

Financial services firm Morningstar and WBBM are two of the primary tenants of the building at 22 West Washington, which is part of the Block 37 complex. 

CBS 2 billed the event as “The Final Debate” — and used an extended open that also spotlighted its local partners for the debate.

The debate was moderated by CBS 2 News anchor Irika Sargent and featured her newly appointed co-anchor Brad Edwards as a panelist along with WVON-AM commentator Kimberly Egonmwan and CBS 2 political reporter Derrick Blakley.

Sargent stood on stage behind a small lectern with a a “Final Debate” decal on front. 

Runoff candidates Toni Preckwinkle and Lori Lightfoot, meanwhile, sat behind the station’s old weather center presentation desk that was first installed in the station’s streetside studio in 2008, which it has since abandoned in favor of non-windowed studio.

Set Design

WBBM-TV

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Behind them were the auditorium’s large windows overlooking the city, although the sun filtering shades pulled down to block sunlight hid much of this view — with a large smudge on the glass still visible. 

By the time the debate concluded, the sunlight had all but disappeared — leaving the background a mostly gray look with the cityscape barely visible. 

For the debate, CBS 2 covered up three of the CBS 2 logos on the front of the old weather desk with matching “Final Debate” decals. 

The station also used graphics inspired by its primary news graphics package — though recolored to a pale blue and white with the iconic six-point Chicago star replacing the vertical gold separator line that normally appears in the graphics.

CBS 2 also promoted the debate using the hashtag #FinalDebateOn2.

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