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CBS Chicago names sportscaster as its new morning anchor

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Chicago TV

This column is part of NewscastStudio's regular "Chicago TV" column that covers the latest in Chicago broadcasting.

WBBM, the CBS owned station in Chicago, has shifted its sports anchor to become its permanent morning news anchor.

Ryan Baker, who previously anchored sports on the station’s 5, 6 and 10 p.m. newscasts, was given a test run earlier this summer as co-anchor of the morning news.

Now, it’s permanent (or at least as permanent as things can be at the struggling CBS Chicago).

Baker’s appointment to the morning news is the latest in a long saga that started when the station canned morning anchor Marissa Bailey in March (main evening co-anchor Rob Johnson was let go at the same time).

Since then, Mike Puccinelli has mostly served as morning co-anchor — and he’s staying with the station but returning to reporting duties.

Meanwhile, WBBM also hired a new traffic reporter for its morning news after dropping eight year veteran Derrick Young earlier this month.

The post CBS Chicago names sportscaster as its new morning anchor appeared first on NewscastStudio.


CBS Chicago announces new traffic reporter

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Chicago TV

This column is part of NewscastStudio's regular "Chicago TV" column that covers the latest in Chicago broadcasting.

After dropping traffic reporter Derrick Young earlier this month, WBBM in Chicago has named its new pick for the position.


Yasmeen Hassan has been named the new traffic anchor on the station’s morning news.

She starts Sept. 30.

Hassan is coming to CBS Chicago from a sister station — KOVR in Sacramento, California, which is also a CBS O&O.

Hassan won’t be the only new face on the station’s morning newscast — the station’s main sports anchor, Ryan Baker, took over as anchor this week.

CBS network producers also fly morning meteorologist Megan Glaros to New York to help out with the network’s severe weather coverage including, most recently, Hurricane Dorian.

When this happens, another member of the WBBM weather team typically handles the morning shift.

Glaros is also frequently featured on national CBS News broadcasts remotely from WBBM’s studios. 

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WGN won’t be Chicago owned anymore

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Chicago TV

This column is part of NewscastStudio's regular "Chicago TV" column that covers the latest in Chicago broadcasting.

The FCC has given the OK for Tribune Media to be acquired by Nexstar Media Group — which includes iconic “Chicago’s very own” station WGN.

The station was operated as the flagship station for Tribune Media, which split from its newspaper publishing division in 2013.

Under the new company, WGN will be owned by a larger company known as Nexstar-Tribune Media. The sale also includes the national cable network WGN America and local cable news offering CLTV. 

The change is significant to the Chicagoland market in that it ends Tribune’s local ownership of the station after over 71 years. 

Nexstar, meanwhile, has a bit of a mixed reputation in the TV industry — with cases of cost cutting and layoffs littered in its past (some insiders refer to it as “death star”).

It has also engaged in the practice of buying a TV station in a market tied to a company called Mission Broadcasting buying one as well.

Mission in turn then signs an agreement with Nexstar known as a “shared services agreement” whereas Nexstar becomes responsible for running the station, including news content and selling ads. 

In many cases, the two stations move into the same building and share behind the scenes staff.

In some cases, talent has even shown up on both stations and some of the “virtual” duopolies have also simulcast the same newscast on both channels.

Some view this practice as a clever (and legal) way to get around ownership rules that typically ban one company from owning too many media outlets in a single market. 

In fact, in every market where Mission owns a station, Nexstar also owns one — meaning that Mission essentially exists as more of a holding company than an actual TV station operator. 

However, the resulting SSA arrangement can be a significant way to save costs.

The WGN news set.

WGN currently outputs a large quantity of popular local newscasts with well known personalities and fun quirks. 

Many of these newscasts manage to score register good ratings against even the market’s owned and operated “big three” stations.

Local newscasts tend to be relatively inexpensive to produce and, since the station keeps all local advertising revenue it generates during those, they can be quite lucrative even with mediocre ratings for the TV station owner.

There’s no immediate word on what, if any, changes Nexstar-Tribune will make, though it would be smart to leave WGN’s local newscasts alone.

Also in the balance in what Nexstar will do with WGN’s radio assets as well as WGN America as it currently doesn’t own any radio or national cable properties. 

Things could have been much different for WGN, however, had a previous merger proposal not fallen through. 

Back in 2017, Sinclair Broadcast Group announced plans to acquire Tribune.

Under a scenario that emerged as talks went on, Sinclair would not acquire WGN, WGN Radio or WGN America directly, but some reports indicated they would have the option to acquire WGN within eight years.

Sinclair has become infamous in the broadcast industry for mandating that its stations run right-leaning content, including politically themed documentary style specials close to presidential elections. 

It came under fire for what became known as a “hostage video” — a series of promos featuring local talent at various stations reading essentially the same script that appeared to target the so-called rise of “fake news.”

Sinclair was also thrust into the national spotlight after a meteorologist at WICS in Illinois criticized the station’s practice of declaring days a “Code Red Day” indicating the possibility of severe weather.

The meteorologist took issue with the alarmist nature of the practice that didn’t offer the level of detail as warning issued by the National Weather Service, but also by what he said were decisions made the corporate level and not locally. Sinclair would eventually drop the practice.

Sinclair previously also mandated that stations include American flag imagery in lower third graphics — and has since moved the imagery to the on-screen bug. 

It’s also worth noting that WGN could have ended up being sold off by Tribune-Nexstar after the sale closed, like what is happening to WPIX in New York City with Nexstar taking over. 

As is common with TV station group purchases, Nexstar had to agree to sell off stations in markets where it would own or control too many stations. Its deal also has it selling WPIX, which operates in the nation’s largest media market, to Scripps Broadcasting.

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Pa. station goes onto a second temporary set

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WBRE, the NBC in Scranton/Wilkes-Barre, Pennsylvania has shifted newscast production to another temporary set.

Last week, the station moved to a rather gloomy setup in the station’s newsroom.

Now, it has moved onto a set that appears to be made up, at least in part, of old pieces from the days when WYOU, its sister station, produced an interactive newscast.

WBRE, which is owned by Nexstar, operates Mission Broadcasting’s CBS affiliate WYOU under a shared services agreement. 

Several of the WBRE-produced newscasts, which are branded under the “Eyewitness News” banner with no reference to station names or channel numbers, are simulcast on WYOU — and WBRE also produces some exclusive newscasts for WYOU.

The new temporary setup uses a wood wall with reveal lines, a large monitor and some smaller, additional monitors.

Portions of the old WYOU set are also used for the station’s lifestyle “PA Live” lifestyle show.

Station officials did not respond to NewscastStudio’s requests for comment, but the station did post a photo to Facebook last week that seemed to confirm changes are coming to the newscasts. 

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NBC launching LX next gen news network

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NBC is reincarnating the “LX” branding as a millennial and Gen Z focused streaming news platform.

The “LX” name has been “backronymed” to stand for “Local X” — with NBC further explaining that “X” signifies the “exponential abilities that LX has in telling our communities unique stories.”

The service is part of NBC’s owned television station group and will feature content from a crew of “visual storytellers” based in major markets across the U.S.

LX is initially being offered at its website, lx.com, and on YouTube, but NBC plans to expand it as an over the air and streaming offering in 2020.

It’s not immediately clear how the stations will air content over the air, though making it part of a digital subchannel is a likely option.

NBC Owned Television Stations also operates Cozi TV, which is available on its O&O stations’ subchannels as well as other non-NBC owned stations across the country.

It is also typically available as a separate channel on many cable and satellite services. 

For a logo, the NBC introduced a white and gold design that blends the “base” of the “L” with the lower left cross stroke of the “X.” 

This stroke is accented in two shades of yellow — including a small, triangular-shaped accent at its upper right terminus, which is mildly suggestive of either the iconic NBC peacock icon’s feathers or peacock head. 

In many ways, the effort is similar to the CBSN offering CBS News launched in 2014, though it is only available as a streaming and OTT offering.

NBC’s use of the “LX” name goes back to 2008 when it acquired LXTV, two years after it was launched as a broadband network and website.

Around the time, NBCUniversal had acquired The Weather Channel from Landmark Communications and subsequently announced it would shut down its local WeatherPlus branded subchannels that were offered on many of its owned and affiliated stations.

That triggered an announcement that NBC would launch 24 hour news and entertainment offerings under the “Nonstop” branding. New York Nonstop was first in June 2010, with Philadelphia, Washington, D.C., Chicago, California, Dallas and Miami versions launching through 2011.

Part of that effort, in turn, was LXTV providing lifestyle and entertainment programming for the channels to supplement other content such as locally produced newscasts.

In late 2011, NBC announced it would covert the local iterations into a single offering called “NBC Nonstop” and that it would also start carrying reruns of classic TV shows. 

However, by 2012, reported emerged that NBC was considering changing the name of the network — with “Bob TV” reportedly one of the names under consideration. 

Eventually, NBC launched Cozi TV which, like its competitor MeTV, centered around classic reruns. NBC Nonstop never formally launched, though Cozi was, in many ways, its successor. 

In addition to LX, NBCUniversal also runs NBC News Now, a national streaming news network and will debut Peacock, an entertainment focus streaming platform in 2020.

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CBS N.Y. gets in on the fun with Lonnie Quinn action figure promo

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CBS’s owned station in New York City is blasting back to the Saturday mornings of the past with a weather promo for a Lonnie Quinn action figure.


CBS Innovation + Creation created a promo, with custom music from Stephen Arnold Music, “advertising” a Lonnie Quinn action figure (complete with a “pull to talk” feature).

The action figure comes with accessories (sold separately, of course) — including a mini CBS 2 branded umbrella and play version of the station’s Mobile Weather Lab vehicle.

Also “available” is a winter outfit along with a “roll up sleeve action” feature.


Pulling the string on the back of the figure triggers it to spout “Lonnie-isms” — but, of course, batteries aren’t included.

Thanks to a filter put over the entire promo, the spot and musical track, the spot has a distinct 1970s and 1980s tone.

“Lonnie Quinn Action Figure” was created by the same team who created the “Gotta Listen to Lonnie” campaign WCBS aired back in 2014.

Unfortunately, the doll and accessories aren’t actually available for purchase.

Project credits:

  • Bruce Erik Brauer: SVP Creative Services, Director
  • Lee Grossman: Director: Promotions and Marketing
  • Doug Holly: Design Director
  • Danielle Jones: Editor
  • Jennifer Hancox: Senior Writer/Producer
  • Rosie De La Cruz: Production Assistant
  • Erik Brauer: Director of Photography
  • Huttemberg Nassar: Gaffer
  • Vladimir Francois: Key Grip
  • Kate Wignall: Props Manager / Designer
  • David Brown II: Best Boy Electric
  • David Curtin: Sound
  • Tim Dennis: Production Assistant
  • Caitlin Jones: Casting Director; Casting Society of America
  • Monica Rock: Makeup and Hair
  • Prop Boxes and Mobile truck wrap: Signarama Hartsdale
  • Music Composed: Stephen Arnold Music
  • Voice Over: Steve Kamer, Atlas Talent Agency

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San Francisco station airs cringe-worthy graphic days before Indigenous Peoples’ Day

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KTVU, Fox’s owned station in San Fransisco is taking heat after running a lower third reading “Braves Scalped,” which many are pointing out is offensive to Native Americans.

The graphic was referring to the Atlanta Braves, whose name references an Native American chief. 

The Braves also use a drawing of a tomahawk in its logo design, an axe used by Native Americans. 

The team also used the mascot Chief Noc-A-Homa until 1986.

In America, Native Americans are often stereotypically associated with the act of scalping their victims — but in reality the practice has existed in both the east and the western world, with some researches saying it may have started early in the 1000s in Europe.

It’s also worth noting the graphic comes less than a week before Indigenous Peoples’ Day on Oct. 14, 2019, which always falls on the federal holiday of Columbus Day. 

Twitter was quick to point out that this isn’t the first time KTVU has fallen victim to an ethnic stereotype in an on air graphic. 

In 2013, the station airs a list of what it thought were the pilots of the doomed Asiana Flight 214, which crashed on final approach into San Fransisco. 

The names on the graphic, which were blamed on a prankster passing the information to the station, used stereotypical Asian names and word sounds that suggested everything from “we too low” to “holy fuck.”

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Students build doghouse for TV station’s ‘backyard’

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Students at Pennsylvania’s Susquehanna County Career and Technology Center built a custom doghouse for the Scranton/Wilkes-Barre, Pennsylvania, ABC affiliate’s “backyard.”


The doghouse will eventually be installed in “The Backyard” — the outdoor area that serves as WNEP’s primary weather studio.

WNEP is known for its longtime use of broadcast weather forecasts from outdoors.

While the station has a “weather office” that is wired for  broadcasting, it typically presents weather forecasts from a patio-like area behind the station.

The area, which is finished with stone pavers, features a water feature and “shed” with rolling door that houses the outdoor chroma key wall, lighting and monitors.

The doghouse the students built for WNEP matches the wood and green trim used on the shed.

In addition, it features the WNEP logo with the ABC globe serving double duty as a paw print and “Doghouse” in a bone shaped banner below.

Chief meteorologist Kurt Aaron has brought his dog, Ranger, on air, which spurred the idea to build the doghouse.


WNEP’s backyard got national attention in 2017 when “Last Week Tonight” host John Oliver had an oversized train set built poking fun at the electric train that appeared on air behind forecasters.

The train set, which HBO custom commissioned, was eventually donated to the local Trolley Museum.

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Arizona station spotlights local craftsman who’s building its new anchor desk

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Yuma, Arizona, CBS affiliate KSWT is in the middle of overhauling its set — and ran a story highlighting how it worked with a local cabinet maker to build its new anchor desk.

The station is expecting to launch a “complete overhaul” of the set the week of Oct. 21, 2019, but in the meantime is giving viewers a behind the scenes look at the work that is going into it.

To build the desk, KSWT hired CR Custom Cabinets, owned by local resident Cesar Rodriguez, to build the anchor desk portion of the project.

While Rodriguez is obviously familiar with woodworking, he has had to incorporate new materials into his work, including metal accents, LED lighting and video panels.

It’s worth noting that many professional news set designers often work with cabinet builders or tradespeople with that type of background to build the scenic portion of sets — since there’s a lot of crossover between the skills needed to build cabinets and news sets.

News sets also have added components such as video walls, backlit color changing LED panels and other integrated lighting that may be outside a woodworking background, but often third party integrators can be used to fill out that portion of the project.

There are also companies that specialize in building scenery for TV studios, trade show booths, corporate events and film and TV shows, who are often referred to as “fabricators.”

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Chicago TV ready with teacher strike coverage, gets thrown two breaking stories

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Thursday, Oct. 17, 2019 was a busy news day in Chicago — it was day one of the city’s public school teacher strike and two big stories also came out of police HQ — and here’s how local TV news covered it all.

Chicago TV

This column is part of NewscastStudio's regular "Chicago TV" column that covers the latest in Chicago broadcasting.

In addition one of the nation’s largest school districts going on strike, the Chicago Police Department superintendent experienced another health scare while the department also announced it had fired an officer involved in a 2014 shooting that killed two.

Local news already knew the teacher’s strike would be happening — and were prepared with on the scene coverage of the marches and rallies.

However, the news of the police superintendent’s health scare was released shortly before 5 p.m., forcing stations to make quick adjustments for this story as well as the firing. 

CBS O&O WBBM, for example, started its 5 p.m. newscast with what appeared to be pre-produced teases dedicated entirely to the strike but then its  anchors appeared on camera standing in front of a large “breaking news” video wall graphic reporting the news about CPD superintendent Eddie Johnson.

The station then moved on to the strike and firing of officer Robert Rialmo.

WBBM does not air a 4 p.m. newscast.

By 6 p.m., the station ran another pre-produced tease focused on the school strike but switched to its breaking news open — which segued into Johnson coverage, followed by strike and firing.

The station’s late news still covered the strike (that was now extending into a second day), Johnson and Rialmo, but also moved on to other stories.

Throughout all newscasts, WBBM used a large red “School Strike” banner with a coordinating background of photo of red school lockers.

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Kansas City station marks 70 years with image campaign

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WDAF, the Nexstar owned Fox affiliate in Kansas City, Missouri, is marking its 70th anniversary with an image campaign built around the tagline “70 years together.”

The campaign includes an original from Stephen Arnold Music that, through lines such as “we are rebels,” “we are stars,” “we are colors” and “we are love” all linked to the lyric “this is you and me.”

The song is accented by “hey, yeah,” lyrics that are emphasized with glassy on screen typography, as is “you and me.”

For visuals, the station’s Danielle Ray and Dan Horner used a variety of shots taken from around the Kansas City area and featuring a variety of activities.

There are also colorful bars added in the spots’ letterboxes.

Shots also include the station’s on air talent walking together and, at the end of each spot, standing together as a “big family” standing on the outdoor plaza of the city’s World War II memorial, providing a sweeping view of the city including Union Station and Kauffman Center for the Performing Arts in the background.

The station logo and a small white version of the “70 years together” tagline appear — in addition to an oversized outline version running along the bottom of the screen.

Multiple versions, including the :60, :45, :30 and :10 ID shown here were created.

Some, like the :45 version included here, focus on a specific theme, in this case, arts, culture and creativity, hinging off the “colors” reference in the song. 

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Raleigh station gets set packed with massive video walls

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WRAL, the NBC affiliate in Raleigh, North Carolina, debuted a new set that’s equipped with two massive video walls.

The station was previously using a semi-enclosed newsroom set.

FX Design Group created both sets.

The new set is located in the station’s Studio A, rather than the newsroom, and boasts a 20 foot wide by 11 foot tall seamless curved video wall that’s used for both standups and weather.

Adjacent to the video wall is a sharp white hard scenic wall with thin dimensional blue bands that form a reverse version of the station’s “5” logo.

Another, smaller curved LED video wall is situated behind the main standing anchor desk, which is fronted with a video panel and backlit panel and topped with glass.

Wrapping around the anchor video wall are backlit panels, a look that continues camera left of home base where there’s a 2×2 video array that then segues to the stations’ working weather channel.

The weather center featured a curved presentation desk with OTS panel mounted in front of a frosted divider with solid walls behind the work area.

Other elements used throughout the set include gray walls along with thick squared off columns with inset panels with vertical banding accents.

In addition, the studio floor has been outfitted with white and blue decal graphics, including a curved one in front of the larger video wall and a ring around the anchor desk.

Project credits

Correction: A previous version of this story misidentified WRAL’s network affiliation as its previous one. The post has been updated with the correction NBC affiliation listed.

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Nashville station gets new home

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WSMV, Meredith’s NBC affiliate in Nashville, Tennessee, debuted a new set Wednesday, Oct. 30, 2019.

The new look from Z Space Creative follows the same design language as the set introduced at sister station KPHO in Arizona in May 2017.

The new anchor desk features a “bumped out” LED box that’s used to display ticker style graphics, with a faux stacked stone insert and is backed with lower resolution LED panels mixed in with pivoting frosted panels.

These panels are primary used to display oversized station logos and NBC peacocks along with other animated graphics.

A wall of clear glass completes the look int his area before transitioning to a video wall created using horizontally mounted low profile LED panels.

The far right side of the studio features two presentation pods with large single video panels that are used for traffic and weather as well as an additional standup area that sometimes functions as the “live desk” with a high glass table all set up in front of a wide metal plinth with capped with a glass ring header element.

Unlike KPHO, WSMV has a more extensive working weather center behind the far right presentation desk that features a collection of workstations and wall mounted monitors. 

Meanwhile, the opposite side of the studio boasts an additional video wall installation, this one created with a row of vertically mounted panels in front of freestanding panels with faux stacked stone.

The new set was installed in Studio A, which was the former was home to Porter Wagoner’s television show he hosted with Dolly Parton. It also was home to the “Ralph Emery Show” that aired on TNN from 1983 to 1993.

Project credits

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NBC Chicago puts the ‘team’ in ‘Storm Team’ on select mornings

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NBC owned WMAQ in Chicago has added a second meteorologist to its morning newscasts three days a week.

Alicia Roman, who was working weekend evenings on the station, is moving to mornings Wednesday through Sunday.

That means that, for three days a week, she’ll appear on the station’s “NBC 5 News Today” alongside current morning meteorologist Andy Avalos.

On Saturdays and Sundays she’ll handle weather solo alongside the station’s weekend morning team.

The changes kicked in Thursday, Nov. 7, 2019, with anchor Alex Maragos tossing to both Avalos and Roman standing, two shot style, at the station’s weather center desk at the top of the weather block that started around 4:18 a.m.

“We’re going to kind of tag team the weather together and bring you a closer look at some metro forecasts on a daily basis,” Avalos said.

“(You’re) putting the emphasis on ‘team’ in ‘Storm Team,” added Avalos from the anchor desk, referring to the station’s weather branding.

Roman did not appear during the first, shorter, weather segment earlier in the hour and it is yet to be seen how the station will handle “first weather” segments that air at the top of broadcasts when weather is a major story.

After Maragos’ intro to the new concept, Avalos took over solo before double boxing it to Roman, who focused on weather in the suburbs. 

On the debut of the dueling forecasters, Avalos tossed to Roman after discussing Indiana, which is in the market’s eastern suburbs, while Roman was standing in front of what most Chicagoland residents know is an image of Naperville, Illinois, which is on the western side of the city.

Roman skillfully managed to do a 180 and steer back toward the weather in Naperville, which was what, at least according to how she stacked her forecast images, planned on discussing first. 

She then tossed it back to Avalos, again via a double box, to finish out the block, including the 10 day.

Both meteorologists appeared against chroma key walls, which is possible because NBC 5 has two chroma key walls in its studio — with the second one previously used mainly for traffic.

Before that, the station used a small video array leftover from its 2012 set, which has since been mostly replaced, for traffic.

Roman continued to appear on the station’s 5 and 6 a.m. hours during the longer forecast segments, but was missing from the shorter ones — likely because it would be tricky to give both forecasters enough time.

She also didn’t appear at the end of the 6 a.m. hour when Avalos and traffic reporter Kye Martin joins Maragos and co-anchor Zoraida Sambolin for the “big happy family” shot that closes many local newscasts.

NBC 5 recently hired Paul Deanno to appear on its 11 a.m. and 4 p.m. newscasts.

While adding a second forecaster with the friendly tosses back and forth obviously does eat up a tiny bit of extra time, dedicating someone to the suburbs, where viewers often complain of being “left out” of big city newscasts, could prove helpful. 

NBC appears to have gotten the technical aspects of tossing between two forecasters fairly well tuned, though for the format to be most effective, it will need to avoid things like the slightly awkward Indiana to Naperville transition from a content standpoint.

The setup also feels a bit odd given that there is still obviously weather in the metro area Monday and Tuesday, though by putting Roman on during the last three days of the workweek she is able to emphasize weekend weather better. 

It’s also worth noting that, with winter (and snow) coming full force, the option to have two forecasters on duty could be leveraged in different formats — though, again, it remains to be seen if NBC will call Roman in if a major winter storm hits on a Monday or Tuesday.

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Orlando Telemundo station debuts new set

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WTMO-CD, the Telemundo affiliate in Orlando, Florida, owned by NBCUniversal, has debuted an updated set.

The flexible set, from HD Studio, follows the design language used by other Telemundo stations and features backlit wall panels with a low knee wall with integrated, color changing lighting stripes wrapping around much of the straight, right angle walls in the space.

The heart of the small studio is a rectangular anchor desk in front of a 3×3 video wall.

Flanking this are two low bezel, ceiling mounted video panels give the station, which brands as Telemundo 31, the option to use them as both OTS and standup monitors. 

The opposite site of the studio is another flexible area with a horizontal video panel with knee wall below it and two vertically mounted panels on a floor to ceiling backlit wall.

This then transitions to a work weather center alcove that’s stocked with multiple video panels and workstations and is topped with a dimensional iteration of the Telemundo logo and the words “Weather Center” in white.

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Dallas station sets up ‘mini station’ at kids’ center

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Dallas‘ Tegna affiliate WFAA will let kids explore careers in television broadcasting in a new kids’ attraction opening Saturday in nearby Frisco.

The KidZania “city,” which is billed as being run by kids and designed to let them try out a variety of careers and learn more about government, features faux versions of a fire station, streets and various stores and businesses.

WFAA’s “studio” sports the station’s logo above the entry and will allow visitors to learn how to direct a show, operate cameras produce, report and anchor against a chroma key wall.

Interestingly, the “WFAA” studio is right next door to what appears to be KidZania’s version of ICE. 

It’s not usual for TV stations to have miniature exhibits at local children’s museums or activity centers. Some even contain miniature versions of the station’s real set.

Chroma key walls are often popular components since kids love the “magic” of the green screen.

Other TV stations have experimented with having full functioning studios or bureaus in malls or other popular destinations and allow the public in to try out the key wall and learn more about broadcasting — and perhaps buy station branded merchandise. 

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News 12 Networks begins rolling out new brand

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Altice’s News 12 Networks have started rolling out a new logo and brand that also includes a graphics overhaul.

The Brooklyn and Bronx iterations of the networks are the first to get the new look, with the other five scheduled to follow.

The new logo design features two shades of blue and is meant, according to News 12, convey the dynamic nature of news.

Perhaps one of the most prominent examples of this is the extra “flair” on the “n” at the start of the logotype as well as the wide, generous curves on other letters and the number “2.”

Old logo

In some applications, such as mic flags, the word “news” sits on top of a larger version of the “12,” which becomes yellow as a homage to its old logo design.

News 12 worked with design team at Thornberg and Forester to create the new look.

Meanwhile, the channels also unveiled new graphics that incorporate the new logo and updated typography and imagery.

The network also introduced redesigned lower third insert graphics, including a revamped bug, time and temp and two line “ticker.”

Other redesigned elements include animated stingers, franchise graphics and opens. 

In some cases, the network name becomes abbreviated as “n12” in these animated sequences. 

Altice has been investing heavily in upgraded studios for each of its local networks and is also in the middle of a multimillion dollar upgrade to its primary facility

The new look for News 12 comes after FiOS 1, which offered a Long Island and Lower Hudson Valley feed, shut down in mid-November.

The networks also compete with Spectrum News NY1 in some boroughs. 

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CBSN Bay Area launches from newsroom space

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KPIX, the CBS O&O based in San Francisco and serving the Bay Area, has launched its version of the 24-hour streaming news service known as CBSN. The fourth CBS station to launch the service, KPIX joins WCBS, KCBS and WBZ.

Similar to CBSN Los Angles, the KPIX newsroom is serving as the home of CBSN Bay Area, repurposing an existing desk with new frosted CBS logo panels and a simple silhouette skyline of San Francisco.

A monotone look is used throughout the on set monitors with views of local landmarks, such as Lombard Street, matching the other variations of the streaming service.

On air, the OTT service is branding as CBSN Bay Area, while the station is using CBSN San Francisco Bay Area in written communication.

KPIX debuted its current main news studio in 2011, with some technology updates since.

CBSN Minnesota is expected to launch in December with the remaining CBS O&O stations expected to go live by early 2020 in time for the political primaries and elections.

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Why is ABC 7 Chicago using ‘I-Team’ branded impeachment coverage?

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As most of the media world, WLS ABC 7 Chicago is offering its share of coverage of the impeachment inquiry hearings — but why is it labeling it under its “I-Team” investigative reporting franchise?

ABC 7 has been mainly having investigative reporter Chuck Goudie join newscasts from the station’s flash cam position in the newsroom to basically sum up what happened during the hearings that day.

The segments use the “I-Team” stinger, flag on the lower third insert graphics and the logo appears on the OTS monitor behind Goudie.

However, this begs the question — what, exactly, did Goudie (or his producer) do to “investigate” besides watching the hearings?

(Unless “I-Team” has been temporarily changed to stand for “Impeachment Team.”)

By most definitions, investigative reporting requires at least some original legwork — talking to sources, conducting interviews or, at the very least, adding a local angle — but Wednesday, Nov. 20 2019’s “I-Team” report didn’t appear to contain anything beyond what was being widely reported elsewhere (and with similar language). 

Chicago NBC affiliate WMAQ did not lead with the impeachment hearings on its 4 p.m. show that same day — but later had political reporter Mary Ann Ahern deliver a live standup and package. 

CBS affiliate WBBM doesn’t air at 4 p.m. newscast, but on its 5 p.m., it didn’t lead with the story either — and had anchor Brad Edwards toss to a recorded package from reporter Suzanne Le Mignot

Neither NBC 5 or CBS 2 used their “Investigates” or “Investigators” branding — their equipment to the “I-Team,” however.

Naturally, most of the video that appeared in all of these reports was taken from the cameras inside the hearing room.

The feed of these cameras are generally available to any broadcaster who wants them.

ABC, CBS and NBC all operate services that provide affiliates with content, including fully produced packages on stories of national or international interest that local stations can air as is, add their own voiceover, edit or even request customized live shots from the correspondent.

In total fairness, ABC 7 is hardly the first — nor will it be the last — station to brand a story as “investigative” when it probably really isn’t. 

The post Why is ABC 7 Chicago using ‘I-Team’ branded impeachment coverage? appeared first on NewscastStudio.

NBC 5 Chicago teases Apple fans on morning news

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WMAQ’s “NBC 5 News Today” played a little joke on Apple fans this morning.

“A new apple product will be hitting the stores just in time for Christmas,” anchor Zoraida Sambolin said with a laugh.

Co-anchor Alex Maragos chimed in next to point out that they were talking about an actual apple — or more specifically a new type of apple, known as the “Cosmic Crisp,” that is rolling out this winter.

The segment, incidentally, was part of the short “Get More in the Morning” promos NBC 5 has been airing later in the day that typically features a lighthearted moment taken from its morning news.

The post NBC 5 Chicago teases Apple fans on morning news appeared first on NewscastStudio.

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